Second concert

Second concert evening was in Ramallah, in the Evangelical Lutheran Church of Hope (which we couldn't find an address for from home, and our driver from Jerusalem had problems too finding it - so it's not just me!). It's a beautiful church with mosaics - and I have a weakness for mosaics, probably because they look best with light from outside. Our rehersal was early, because there was a one and a half hour mass just before the concert, and everybody (here) knows that friday afternoon is the time where people have time to go to church (they are working on sundays, being the first day of the week).

The concert went well, though I was a bit tired from yesterday. The program was the same, but tonight the basoonplayer conducted the Valse Triste as part of her conducting exam in France (it was recorded on video).

First Concert!

Today was the first concert of three with the ESNCM symphony orchestra. We started with a late lunch at a restaurent close by (and then people had time to be late without missing the rehersal) before we went to YMCA in East Jerusalem.

Full hall and our conductor introducing the Piano and the Piano concerto.

We tried out the hall and our conductor had some last comments and corrections to how we should play the music. The hall filled with people, and we played a great concert! Our conductor introduced the pieces more to the Arabic audience than I assume he would to a European. We started with Mozart's Overture to Don Giovanni, then the Piano Concerto no.29 with our 15-year old Palestinian soloist, then Valse Triste preceded by the story from the opera of the old woman dreaming and waltzing in her dreams with her husband, and then suddenly she wakes up and remembers he has been dead for long time. Before the Dvorak suite, he introduced all the instrument(group)s of the orchestra with each instrument (group) playing a short frase so the audience could hear the sound. I was nervous for my solo in the third movement (Sousedska), but after it went well in the presentation all my nervousness was gone.

The concert finished with the fast and festive Finale, and I was high on music the rest of the evening. What a wonderful feeling!

More from the symphony camp

Today with second clarinet, yay! Our combined clarinet sound is making BIG difference! And everybody knows that the more clarinet the better! She gave me a new trick with folded plaster on the teeth so not to damage the lower lip too much - my usual cigarette paper is ok but too thin when we're playing so much. She's a teacher at ESNCM, like 14 others in the orchestra, and then we're some other Western people "doping" the otherwise Palestinian orchestra. But classical music is Western, and not many Arabs enjoy it (though I know some Danes who also dislike it), and even fewer play it. But we're some (Western) people who really enjoy to play in a big orchestra!

Our conductor is also from outside Palestine, as far as I understand Colombian living and teaching in Switzerland. I think he's great, so tense and alive and seeing everybody in the orchestra, which makes everybody more alert on what he is trying to make us play.

Rehersing the Piano Concerto.

We played (click on the title to hear the music on youtube):
- Mozart's Overture to Don Giovanni. This was the one I looked most forward to playing, but Dvorak's Czech Suite, especially the Finale, ended up as my favorite after the weekend.
- first movement from his Piano Concerto no. 29 k.466. No clarinet part in this one, but with a talented 15-years old Palestinian girl at the piano.
- Sibelius' Valse Triste - also used as conducting exam piece for the Palestinian basoon player for her studies in France. Lots of cameras recording her and the orchestra. And then I realised that one of them was from MBC (tv-station), so we might have been on Arabic television.
- Dvorak's Czech Suite op.39, Pastorale, Sousedska, Romance, Finale (link til hver). I looked most forward to play Mozart, but it's Dvorak's Finale I'm singing now.

Symphony Orchestra camp!

This weekend I spent in Birzeit, a village in the vicinity of Ramallah, on a rehersal camp with the Edward Said National Conservatory for Music's symphony orchestra. The music school is part of the University of Birzeit, I think (but maybe I'm just mislead by the official name Edward Said Conservatory).

It's a 3 day camp friday to sunday, but Palestinian kids are off from school friday and sunday (muslim and christian holidays) so they need to be driven back to school for saturday, which gives an awkward break.

The facade of the music school - I love the decorations!

It's the first time I play in a proper symphony orchestra; It's strange to be a lonely clarinet, when I'm used to big clarinet flocks in harmony orchestra, but nice to try to be THE principal clarinet.

And I've figured out that winds are as important as strings in a symphony orchestra, or even more: the winds have all the beautiful fill-ins, give the strings' sound more colour, and they are great for solos because there's more sound in one wind instrument than in one string-. So now I'm even more proud of being a clarinetist!